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The stage was dark and the glow of the furnace had a fine effect, especially as real steam issued from the kettle when the witch took off the cover. 
A moment was allowed for the first thrill to subside, then Hugo, the villain, stalked in with a clanking sword at his side, a slouching hat, black beard, mysterious cloak, and the boots. After pacing to and fro in much agitation, he struck his forehead, and burst out in a wild strain, singing of his hatred for Roderigo, his love for Zara, and his pleasing resolution to kill the one and win the other. The gruff tones of Hugo’s voice, with an occasional shout when his feelings overcame him, were very impressive, and the audience applauded the moment he paused for breath.

 Bowing with the air of one accustomed to public praise, he stole to the cavern and ordered Hagar to come forth with a commanding, “What ho, minion! I need thee!” Out came Meg, with gray horsehair hanging about her face, a red and black robe, a staff, and cabalistic signs upon her cloak. 

Hugo demanded a potion to make Zara adore him, and one to destroy Roderigo. Hagar, in a fine dramatic melody, promised both, and proceeded to call up the spirit who would bring the love ph

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